We stay in Canada, where my last blog post followed the footsteps of a very unusual vampire, this time to take a look at a much more conventional movie.
In fact, body horror – the sub-genre Let Her Out belongs to – has had its peak during the late 90s/early 00s, with many flicks exploiting the wearing away, rotting and destruction of human flesh caused by some sort of inner issue.
Let Her Out, written and directed by Cody Calahan (Antisocial and Antisocial 2), kicks off, quite in-your-face, with a prostitute tirelessly banging a stream of clients, until some stranger breaks into her motel room and rapes her. As a result, she gets pregnant and decides to kill herself and the baby by stubbing her own womb with scissors.
23 years down the line, Helen (Alana LeVierge) begins to have awful visions and hallucinations that cause the girl to have black holes in her memory and to forget where she’s been and what she’s done for long periods of time. Lately, it’s discovered that Helen’s mom was the prostitute at the beginning of the movie – she was pregnant with twins and, when she tried to kill them, she succeeded only partially, since one of the foetuses attached to the other in order to survive.
Continue reading “Fierce and pure body horror in the desolation of urban life. Let Her Out – movie review”
Everybody has been creeped out at least once by a friend or family member who sleepwalked or sleep-talked during the night, awakening us with a real-life jump-scare creepier than the entire Paranormal Craptivity franchise (definition by my friend Jimmy).
Slumber – an American/British movie that will have its wide release only in 2018 – plays with this primal fear and mixes it with ancient Eastern European myths.
Alice (Maggie Q), a doctor specialised in sleep disorders who’s been haunted by nightmares related to the sleepwalking death of her younger brother when she was just a child, is investigating on a family who suffered from the loss of their youngest kid. Mom, dad, brother and sister are dealing with recurrent nightmares who cause them dangerous sleepwalking episodes and terrifying sleep paralysis. Whilst this might depend on them coming to terms with grief and depression, the youngest boy, Danny (Lucas Bond), proves particularly vulnerable to physical harm during the episodes in which he sees a creepy figure lingering on him and preventing him from moving or screaming.
Continue reading “Myths and thrills create a creepy night terror experience. Slumber – movie review”
Written and directed by the controversial Shunji Iwai, this is a vampire movie that’s not really a vampire movie.
In fact, the minimalistic title refers to a biology teacher who, convinced to be the famous night creature, looks for young suicidal women online to quench his thirst of blood. Rather than violent, his acts are quite peaceful and always consented.
Out of his 28 movies, Vampire is the only Iwai’s motion picture in English (no need to read subtitles for this one guys!) and it features an all-star cast composed by Kevin Zegers (Gossip Girls), Amanda Plummer (Hunger Games and Hannibal), Adelaide Clemens (The Great Gatsby and Silent Hill: Revelation 3D), Kristin Kreuk (Smallville) among the others. Continue reading “I JUST SAW… Vampire (Canada/Japan, 2011)”
I’ve been waiting to write this since the moment I got to the end of Oz Perkins’ The Blackcoat’s Daughter!
If you haven’t seen the movie and are wondering why I should focus my attention on a motion picture that grossed only $20,435 worldwide, check out my spoiler-free take on the movie, since I’m now about to spoil the hell out of this complex film in the next few paragraphs. Continue reading “The Blackcoat’s Daughter (2017) EXPLAINED.”
Picking up one year after the events of season 1, Stranger Things 2 brings back all the characters we fell in love with (besides Barbara… #justiceforBarb).
As the cliff-hanger at the end of the first season showed us, Will had been affected more than we thought by the Upside-Down and he’s now living a life full of visions from that nasty dimension. Meanwhile, Chief Hopper had rescued, helped and hidden Eleven for almost a year, to keep her safe from the bad guys; Mike and the losers club (ops, wrong pop reference!) are trying to understand what Will’s going through, deal with Eleven’s absence and contend with Madmax, a new girl gotten in town that both Dustin and Lucas have a crush on; meanwhile Steve, Nancy and Jonathan are caught up in their love triangle. Continue reading “Stranger Things 2 expanded its universe and characters, entering adulthood – TV series review”
The end is coming! No, don’t worry, I’m only talking about the end of 2017, which is quickly approaching and… there are still so many horror flicks to check out and review!
Therefore, I decided to give you my brief take on three films that were recently released and might seem appealing to you. Bear in mind, these titles are all non-American (but only for Resurrection you will need to read subtitles), which is what has driven me to watch them in the first place. Continue reading “Bunnyman: Vengeance, The Limehouse Golem and Resurrection – movie reviews in short”
Here we are, starting a new series in which I’ll be taking a look at some random movies that went overlooked or are just plain unknown.
Most of the movies I’ll be watching and talking about are foreign (as in non-American), therefore I hope you don’t mind reading subtitles! Obviously, these are all going to be films that I highly recommend, so check them out if you’re intrigued by what you are going to read. Starting off with…
Baskin (Turkey, 2015, directed by Can Evrenol) revolves around five Turkish police officers who receive an emergency call from a secluded location and go check out what the fuss is all about. On their way, they get into a terrible car accident which, anyway, happens not too far from the mansion they were headed to. When they enter the unsettling mansion, all hell breaks loose (literally).
Continue reading “I JUST SAW… Baskin (Turkey, 2015)”
Oz Perkins’ journey into the reimagination of horror sub-genres has led him to create The Blackcoat’s Daughter, originally released in 2015 under the name February and widely distributed a few months ago with the current title.
In 2016, Perkins had already raised some controversy with I Am the Pretty Thing That Lives in the House, a 19th century period drama (I’d say) that twisted the “haunted house” sub-genre around and created quite some buzz. Continue reading “An unsettlingly bold combination between psychological and supernatural horror. The Blackcoat’s Daughter – movie review”
Outcast teenager with shady past and obscure life meets youngster who’s bullied and abused by a bunch of assholes. They team up, go through that stuff and grow up together.
No, guys, I’m not reviewing the ground-breaking Swedish horror drama Let the Right One In (2008). Instead, the one mentioned above is the storyline of The Transfiguration, a 2017 film written and directed by Michael O’Shea at his filmmaking debut. Continue reading “Between Let the Right One In and Raw. The Transfiguration – movie review”
Once upon a time, M. Night Shyamalan was the most promising director in Hollywood, not just a meme to make fun of.
Mostly, said reputation came from a masterpiece that blew everybody’s mind in the late 90s: The Sixth Sense.
On one hand, I’m glad to conclude this six-month long series with a truly great film; on the other, though, reviewing one of my all-time favourite movies is a challenge that both stimulate and scare me.
The Sixth Sense tells the story of a broken children psychologist – Malcolm Crowe, played by Bruce Willis – who tries to help grade schooler Cole Sear (Haley Joel Osment, nominated at the Awards for his supporting cast role) to overcome what appears to be some serious psychotic issue.
Before “post horror” became a thing (is it really?), M. Night created a universe that gains credibility and strength from its combination of horror, drama, thriller and mystery. The balance between these sub-genres, perfectly blended together, makes for a unique viewing experience that has no precedes.
Continue reading “The Classics of Horror #20 – The Sixth Sense (1999)”