TOP 10 spookiest scenes in 2017 horror films (so far)

Hey guys, happy Friday the 13th!

Last year, to make a Friday the 13th special, I wrote a reflection upon the Jason Voorhees movies formula. I don’t really like that post anymore, thus I decided to swap tone this time around.

As a result, I came up with a list of the top 10 most frightening scenes that we’ve seen in 2017 horror movies. Unfortunately, I’m not easily scared by films, but these sequences were kind of impactful. Just to let you know, I didn’t take into consideration the ‘unsettling’ or ‘disturbing’ moments, otherwise I should have had to make a top-50 list…

10 She’s staring at you!Get Out. Chris, the lead character, is investigating on some creepy mystery revolving around his fiancé’s parents. As the good photographer he is, Chris picks up the camera to check on the family black maid when… boom! He frames her scarily staring back at him with empty eyes. This is a very impactful jump-scare that benefitted from the unsettling atmosphere created throughout the movie.

9 Jump-scare under the stairAnnabelle: Creation. Even though I’m not too keen on this sequel, when the cute Linda wonders around the creepy mansion the movie is set in, a loud noise in the dark makes the audience jump on their seats. The secret behind this well-executed jump-scare lies in its timing: Sandberg, the director, anticipated the moment and, therefore, the effect came unexpected and effective.

Dark Tapes8 Demon first apparition The Dark Tapes. This surprisingly good horror anthology finds a highly enthralling way to link four stories together: a fifth tale in which something is going downhill pretty fast for a bunch of paranormal investigators. The tension, built before the first segment started, turns the apparition of a hideous demon into a true nightmare when the storyline of the investigators is picked up again.

7 Rule #1: basements are not safe Cut Shoot Kill. This meta-slasher works perfectly as a psychological thriller, with no need for graphic sequences. That’s why, when the female lead ventures her way through a creepy basement, the discovery of a mutilated and tortured crew member (who, by the way, is still alive) gets under your skin and makes you startle quite a bit.

Killing-Ground- 36 She’s still alive! Killing Ground. Lately, Aussie movies are knocking it out of the park and this hunting game chiller is no exception. As a young couple camping by a lake discovers the remaining of a butchered family, the boyfriend nearly gets a stroke (and we did as well!) when he finds out a woman is still alive (barely…).

5 Rape attempt A Cure for Wellness. I love this movie, despite its last 20 minutes or so being completely and utterly absurd. However, towards the end Verbinski’s film betrays its tone and makes room for a rather scary scene that nobody saw coming, instead of keeping up with the mysterious and unsettling vibe developed throughout. I could have done without this sudden change of tone, but said sequence remains quite effective.

4 Pennywise and GeorgieIT. The opening scene sets the tone for you. Although this highly anticipated King’s adaptation isn’t properly scary, when the audience is introduced to Pennywise, the clown’s subtle creepiness makes us prepare for the worst, but his violent and gruesome assault to the little Georgie is something not easy to be forgotten.

EyesofMyMother_Trailer2.jpg3 Killer close-upThe Eyes of my Mother. Nicolas Pesce’s debut is a chiller that sticks with you for a long time. Awesome movie, if you ask me. One that doesn’t rely on tiresome horror tropes or conventional storytelling: however, when shit hits the fan, a nightmares-inducing close-up makes the viewer scream and, most importantly, the audience will constantly be thinking about the killer’s insane facial expression. Great stuff!

2 Krypt Creeper Gerald’s Game. Everything about the latest Mike Flanagan’s film is unsettling as hell. However, a specific character is, arguably, pure nightmare material: its abrupt, clear apparition on camera gives the audience a jump-scare for the ages, within a movie that otherwise refuses to rely on any horror cliché.

Evil-Within-6201 This would scare the devil The Evil Within. Unconventional to its core, this film utilises both horror tropes and original ways to frighten the audience. In a fully climactic grand finale, the movie ends with a bloodcurdling sequence in which one of they main characters attends a freak show. Out of the blue, a terrifying womanly creature appears on stage: the practical effects used to give it life are so well done that’s hard not to think it’s real. Which is why The Evil Within takes the cake as the film featuring the spookiest scene in 2017… so far!

Cheers!

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The hunting game we were waiting for. Killing Ground – movie review

Has anyone seen Eden Lake (2008)? It is that British movie starring Kelly Reilly and Michael Fassbender go on a camping trip by the lake and get assaulted by a group of twisted teenagers who turn their love escape into a terrible nightmare.

Well, Killing Ground, written and directed by Damien Power, is the Australian counterpart of Eden Lake, although better executed and acted than the already very good English film.

Killing-Ground- 3By the clever usage of non-linear storytelling, Killing Ground tells the story of a couple who go to a remote location to find peace and spend a nice weekend away from the civilisation. Soon their expectations will be let down and they’ll find themselves immersed into a mortal hunt-and-pray game where the odds are extremely adverse.

Simultaneously, though, the movie tells another story, which happened before the main one.

Other than the particular technique utilised to tell the events (never left to exposition, instead always for the viewer to figure out), Killing Ground is a straightforward horror thriller which runs for 89 minutes without a single dull moment or a sequence that makes you feel relieved.

Everything but pretentious, this flick is a pure adrenaline ride filled with compelling characters (villains included), drama, action and an overall sense of dread and tension.

The biggest achievement Mr Power reached in this movie consists of the ability to give a new look to something we have seen before tons of times.

The direction is immaculate. The editing, only external interference to the story, perfectly connects the two storylines and is refreshingly clean and subtle. The soundtrack – or I better say lack thereof – is barely noticeable but fully part of the story development.

Yet, the restraint location and limited use of actors makes for compelling characters in Killing Ground. Every single one of them is well-rounded and, pleasantly surprising, none of them is formulaic.

Shot entirely on location, the movie doesn’t use CGI throughout the entire runtime. The practicality behind every special effect cooperates to create a greedy atmosphere, despite a colourful and vivacious cinematography.

Killing-Ground 1I found myself looking in pure delight at the lack of black and white in this film: the good guys are not heroes and the villains (although fairly depicted as sadistic psychopaths) appear normal to the rest of the community and, therefore, to the audience in the scenes where they are dealing with other people.

Unapologetic without being gruesome or needing to show extreme violence on the screen, Killing Ground ends with a blast. The grand finale is, indeed, very fulfilling (something I experienced only with Get Out this year) and profound enough to make you reflect upon it for a while.

Killing ground 2Killing Ground is a film that tells a story we’ve seen tons of time, but it does it including an unconventional form of storytelling and clever twists every here and there, proving that a movie can be (incredibly) good without overturning schemes.

With Killing Ground, Australia proves once again to be a fertile ground (sorry about the pan!) for great horror entertainment. I honestly can’t wait to see what Damien Power will come up with next. Meanwhile, I strongly recommend to watch this film, one of the best I’ve seen the whole year. Cheers!